Double Trouble

Great Stuff Recordings

Zenbi first came to prominence on Saeed Younan’s eponymous Younan Music label last year, remixing the imprint owner’s Kumbalha alongside Sabb. Now he’s back with a tasty solo effort on Germany’s Great Stuff, with both of his aforementioned colleagues providing remixes.

Double Trouble is a sleek little groove, and an exercise in simplicity. Tribal vocals and a descending, saucy bassline work their way around crisp, perfectly spaced percussion and techy rhythms to create a succinct, deft concoction. If it’s not slick and smooth you’re after though, four remixes from four very talented producers provide a suitably wide palette.

Saeed Younan reaches for his box of tribal goodies to compliment the vocal, building on his bouncing, galloping groove with infectious wooden percussion and layers of light techy metalics upping the energy to bring the track to fever pitch. Sexy, seductive and ridiculously plump. Italian star Stefano Noferini reveals his techno edge with his pumping, rolling rework that marries incessant bass to a shoulder-popping rhythm, while UK’s finest Filthy Rich brings his tribal tech A-game with a beautifully chunky, brooding version. Zenbi’s partner-in-crime rounds off the package with a throbbing, cymbal ride heavy excursion that combines serious bass weight with a decided lightness of touch elsewhere.

Also check:

www.soundcloud.com/zenbi

www.soundcloud.com/stefano-noferini

www.saeedyounan.com

www.koneymarc.com

www.sideburnmusic.com

Can You Dance EP

Great Stuff Recordings

January is a time for sobriety, chilling and cutting down on the partying – right? Wrong. When there are sassy new grooves like this to contend with, why bother with behaving? Jay Lumen’s certainly got different ideas.

The Hungarian whizz kid steps back up to the plate with his new EP, bringing the world another two slices of dancefloor prowess. Can You Dance is a typically sprightly affair, galloping along at a pacey tempo with pitch-shifting cymbal rides, Krupa-esque snare fills and a classic vocal sample taken down a few notches to a druggy timbre. The sample in question comes from Blaze feat. Palmer Brown’s classic My Beat, and sounds as fresh and compelling today as it did almost 15 years ago. All this energetic texture is sat atop a wiggling, low-slung b-line, with a subtle jazzy flavour permeating the mix. Resistance is futile.

Flip over for The Drummer and you’ll be treated to another ride through Lumen’s impressive arsenal of syncopated percussion and incessant bass pressure. Wigged-out vocal snippets and mind-bending FX weave in and out of his galloping groove, with a subtle yet tense breakdown that takes your eye off the ball and sets the drop up for a seriously potent impact.

Magyar magic once again on both fronts!

Also check:

www.soundcloud.com/jay-lumen-official

www.myspace.com/jaylumen

Italoberican Grooves

Great Stuff Recordings

Seeing the name DJ Chus on a release is one of those reassuring marks of quality where you know that whatever lies inside is going to be something truly irresistible. And, it should go without saying, you know it’s going to be a heavily tribal affair. The master teams up with Supernova on this new release to give his Iberican trademark sound a little of that Italian tech flavour.

Italoberican Grooves gives you little room for manoeuvre. It’s a case of DANCE, or else. This audio imperative is concocted by way of throbbing bass, punchy kick and taut clap, and most importantly layers and lashings of rolling tribal percussion that combine to create a swirling torrent of rhythm and tonal atmospherics. Topped off with a hypnotic vocal chant, it harks back to the golden age of tribal – before things went all deep and minimal. An instrumental is supplied for those who want to keep it percussive, and a vocal tool-a-pella for those wishing for some extra weapons to add spice to their sets.

The Lapsus Dub is on a similar tip, yet with the techno factor turned up a few notches. Bigger hi-hats, rumbling fills and bugged-out vocal FX add more layers of intensity, the track pounding along like a steamroller. Its energy is relentless, and should see this release get strong support in the techier community.

Check:

www.djchus.com

Munich Disco Tech  Vol.14:  The Final Chapter  (Gold Edition)

Great Stuff Recordings

All good things must come to an end. If they don’t, they eventually fizzle out unimpressively. And so just like the smartest bands who know it’s best to call it a day when they’ve hit their peak. Great Stuff Recordings’ stupidly successful Munich Disco Tech EP series comes to its last release: the 13-exclusive tracks of Volume 14: The Final Chapter.

No less than 22 artists combine on this grand finale to provide an EP of highly effective house and techno styles, making for the perfect send-off for the series. The highlights of the previous thirteen releases have been numerous, with a huge array of talents from Ian Pooley to Ramon Tapia to Umek to James Talk to Tiger Stripes to Bass Kleph to DJ Chus featuring along the way. Here’s what this ultimate episode has in store:

Christian Cambas – We Found A World (Original)

A game of two halves – big swirling, atmospheric, almost electro-esque breakdowns intersperse a fiendishly bouncy, stripped back techno groove that’s shaken and stirred to perfection and punctuated by sharp rave stab blasts.

Christian Cambas – We Found a World (Stefano Noferini Remix)

The Italian master brings his tried and test formula to the remix, stripping elements out to create a bouncier still reworking that’s all killer, no filler. One to get the bodies jacking and the dancefloor sweating.

David Amo and Julio Navas – The Waterparties (Fresco Mix)

Those talented Spaniards deliver once again with their undulating, elasticated wiggler, laden with sassy charm and minute little samples that are cleverly woven together to create a syncopated jackathon that screams “open-air summer festival”.

Filthy Rich & Juan Kidd – Break This Down

Combine shuffling old skool percussion and sustained, tense lines, rap samples and new skool flavour and what do you get? A cheeky little roller from two soaring UK house music talents. Falling somewhere between the deeper end of tech house and the bigger room sound, it’s a track that should amply satisfy fans in both camps.

Federico Scavo, Danny Freakazoid & Strobe – Feroda

Rasping electro attitude meets techy groove on this three-way collaboration, overflowing with a rampant bassline, white nose pulses and a generally heavy attitude. A big electronic monster to lay waste to large arenas at peak times.

Marco Lys – Kaleido

The star of Chris Lake’s Rising Music provides a typically chunky track for the compilation, layering twisted ethnic instruments and vocal chants over one of his trademark big old basslines and hip-shaking percussive patterns. Incessant.

Ant Brooks – Reflekt

Big room mid-‘90s house is the order of the day here, with Brooks’ joyous, fist-pimping ode to the classic European sound of older. Uplifting string cascades, heartfelt piano chords and of course some gruff diva vocals to top it all off. Irresistible and authentic.

Mihalis Safras & Kiko – Tsiko

Crisp, chunky beats are at the heart of Safras and Kiko’s new excursion, punctuated by sprightly off-beat bassline and echoed chord stabs. It’s a track that doesn’t let up, and that keeps the energy rolling continuously. No stop-start, up and down journeying; just solid momentum.

Max Bett – Pizza

This gorgeous little number gets its colour from a cool, summery, quivering LFOed synth line, equally funky and techy in its texture and bringing a deeper moment to the compilation. It’s no snooze-fest though; sublime chime chords, sweet counter melodies and warm bass combine in sumptuous fashion throughout.

Danny Serrano with Gonzalez & Gonzalo – Sake

Want some no-nonsense techno? You’ve found it. This rolling tribal-infused groover is a heads down rhythm track, concerned with nothing else but satisfying primal urges. A very useful set builder to keep the energy flowing.

Townston & Delgado – Day & Night

A deeper cut, driven by a superbly classy bassline, and fleshed out with dusty disco percussion and gently muted chords and pad swathes. It’s deep house for sure, but with the requisite energy to make it work on an early dancefloor and not just laidback lounges.

Mario Ochoa – Chronos

Yet more dancefloor gold in this shoulder-popping track, whose tight and tidy rhythms are broken up by synth ‘n’ tribal vocal breakdowns to brilliantly juxtaposing effect. If this doesn’t elicit a huge reaction every time it’s dropped, we’ll eat our proverbial hats.

Alexis Cabrera & Matteo Spedicati – Make Me Feel

Jazzy, off-kilter organ chords create a groovy yet slightly twisted atmosphere on this peppy little roller, recalling organ classics of the past filtered through the prism of light, seductive tribal-tinged tech house percussion.

Please check the individual artists’ pages for more information.

Homeless EP

Great Stuff Recordings

No remixes, no big name guests – just three quality tracks from two great producers.

Greek talent Tone Depth is now over a decade in the game, with notable releases on John Digweed’s legendary Bedrock Records and Dave Seaman’s acclaimed Audio Therapy, while up-and-comer Anthony Attalla has been doing impressive work on a slew of high-pedigree labels like Trapez, Tronic, Definitive, MBF, Break New Soil and his own imprint, Incorrect Music.

Elton Bisquick begins life like a particularly hip-shaking techno clock, ticking away teasingly before a colourful stab blast introduces thudding kick and low slung, pared-back bass. The spacious, delicate groove is patched together carefully, drawing us towards another wonderfully atmospheric breakdown, with horn blasts twisted into submission and made to do battle with those sexy off-beat stabs. A captivating blend of sounds, all drawn together by some irresistible rhythms.

Homeless Hymn the takes over with a barrage of slow-burning, hypnotic techno that Josh Wink would be proud of, all muted, trippy bass tones and looped atmospheres boiling away amidst gently jacking beats. There’s a real sense of space here and stripped-back ingenuity, with heady builds dropping back into the murky depths of a rolling groove. It harks back to turn of the millennium; brooding prog-meets-techno concocted in delicious fashion. Subtle, yet devastating.

The package is rounded off with the more quirky and subdued Butt Naked Wanda, a cool roller built around swirling chord pads, a bubbling bassline and a captivating crackhead/pimp-esque vocal from an unknown American source. Jazzy cymbal rides and reversed chord stabs and more texture and flavour, and the overall result is something truly different for Great Stuff and very cool indeed.

This is something markedly different for the label, and an EP which should attract a flock of new attention from far and wide. Techno executed brilliantly across three mesmerising tracks.

Check:

www.anthonyattalla.com

www.tonedepthonline.com

Tomcraft

Tell Mummy

Great Stuff Recordings

Short and sweet is a rule that many dance music producers would do well to adhere to. Sure, there are occasions when a longer, more drawn-out, slow-building vibe is called for, but all too often it’s a case of too many bars and too few ideas. Great Stuff founder Tomcraft returns to his home label with 5 minutes and 20 seconds of razor-sharp electro tech on Tell Mummy, showing the beauty of succinctness.

His original is a pounding beast, introduced with soft vinyl crackles and eerie textures and FX before a killer Moroder style arpeggiated bassline thumps into focus. Nagging tech-trance flavoured synth lines build the tension over taut, undulating over and weaving in between each other before a classic rave vocal cuts through the build-up and the full manic energy of the track is unleashed in all its glory. It’s stadium-sized stuff to really kick a set into overdrive with.

England’s Richard Dinsdale is firing on full form once again, and proves he’s worth his salt with a sumptuously rolling techy refix. Mashed-up vocal edits and rasping electro and tech synth blasts, bleeps and zips help to create a gently mind-bending atmosphere atop a bouncy, hipshaking groove that’s hard to resist. So why bother trying? Stick it on and discover that sweet spot between big room energy and underground cool.

Check:

www.tomcraft.de

www.richarddinsdale.com

Kama

Great Stuff Recordings

As an in-house artist for Chris Lake’s Rising Music, talented tunesmith Marco Lys carefully rides the line that balances underground cool with accessible, big room sensibilities. After a slew of big tracks for the label and co-productions with the head honcho and releases on the legendary Strictly Rhythm and Hotfingers, he lands on Great Stuff with a big slice of tribal sauciness.

Kama focuses on a maddening, tribal vocal chant and compliments it with taut, galloping conga rhythms, bending bass licks and light, skippy percussion. The result is a track that nestles comfortably somewhere between techno and tribal house, and one that will be best utilised as a building block for a set to ramp up another gear. Fans of Lys won’t be disappointed by this solid effort.

Solo follows up his marvellous Pumpernickel EP with a storming remix of Kama. The Italian producer constructs one of his typically mischievous, bumping grooves, charged by succinct chime sounds, widely-panned guitar strums and a different take on the tribal flavour that the original serves up. This remix is up to no good, and it’s rather insistent that you join it on its wild rampage across the dancefloor. Cheeky stuff.

Check:

www.soundcloud.com/marcolys

Also check:

www.mr-solo.com

Pumpernickel EP

Great Stuff Recordings

Now signed to the same DJ agency as Luciano, A-Trak and Basement Jaxx, with a fabric residency and a Dirtybird release in the bag and his own label Congaloid up and running, Solo is very much on a roll. He returns to Great Stuff Recordings once again with his very own EP – a three-track corker.

Lead track Pumpernickel mixes disparate influences to slamming effect, pumping hard from the off with skippy old skool garage hi-hat shuffling and blasts of disco diva vocals and horns cutting through the mix. The twist comes with the introduction of vaguely twisted retro techno stabs, mischievous ticking, pitch-shifting percussion, and playful little riffs dancing around the track’s peripheries and fills. Expect this one to become a staple in sets for a wide range of DJs – from pure house heads to the more adventurous and eclectic jocks of the tougher-edged genres.

Chris Lake’s erstwhile production partner and star of his Rising Music label Lys steps up for an immensely colourful and sharp remix. His focus is honed in on a descending, melodic bassline and sassy tech percussion, and injecting a large dose of peak time fun and energy into the proceedings. His tense build-up and drop kills it, and all in all its a fine remix that provides a perfect alternative to the original.

Take A Look completes this groovy threesome, keeping the skippy energy intact, but going in deeper in terms of texture and content. Dramatic piano chords and arpeggios gradually unfold into a sumptuous layered melody, while a smokey female vocal sample adds more emotive content. It’s a subtle, classy roller that harks back to classic late ’90s house – and if it doesn’t make you think of a certain Balearic island just a little bit, we’ll be surprised. A perfect track for the end of summer.

Check:

www.mr-solo.com

www.kompletemusicgroup.com

Faceball EP

Great Stuff Recordings

Hungary’s prolific Jay Lumen returns to Great Stuff Recordings with another typically large slice of face-smacking big room techno, following on from this year’s hugely successful Here Comes That Sound EP.

Faceball is on a mission to bore deep into the central sweet spot of the dancefloor, and it’s not letting anything get in its way. Stomping boldly out the speakers with a tough and tight aesthetic, it gallops and tumbles its way along with a droning bassline at its heart, and carefully balanced, deceptive percussion. Break the the drums down to their composite parts and they all sound relatively restrained and gentle; percolated through Lumen’s groove machine, however, they push and pull and spar against each other in a way that creates a synergistic, rolling intensity. A trick of the sonic light, if you will. Warped breakdowns, meaty snare rolls and incessant cymbal rides top the vaguely manic concoction off, with a vintage Picotto feel to the proceedings.

A two-part journey comprises the remainder of this sizable new release. Quite literally. The Journey Part 1 is a bouncy little number, picking the pace of the EP up with trademark Lumen skippiness, taut reverbs and incessant groove, and just a touch of eeriness permeating the nether recesses of the track. Techno with an elasticatedd backbone. The Journey Part 2 takes a muted disco bassline as its departure point, ripping through an epic build-up and ounces of punchy, shoulder-popping beats along the way. Cool, summery and energetic. Another three slices of gold from Hungary’s finest.

Check:

www.facebook.com/JayLumenMusic

www.myspace.com/jaylumen

www.youtube.com/JayLumenTV

We Play House

Great Stuff Recordings

We just had to snap this one up. Originally released on Copenhagen’s wonderfully-quirky Tartelet imprint – home to bonafide electronic geniuses such as Brandt Brauer Frick, Kenton Slash Demon and Wareika – Tahloula’s We Play House is a low-slung, late night, sultry groove in its original incarnation. Seductive vocals and a nonchalant, loose funk b-line are the order of the day, the concoction reminiscent of the likes of Zwicker and Belleruche.

Classy gear indeed, but it was Chris Lattner’s typically skippy, bending-bassline remix that Tartelet showcased, and which has been receiving consistent support from plenty of big guns across 2011. While it doesn’t embody the science of a rocket, it sure packs the power of one. This one plays house in jacking, ass-shaking fashion, blending deeper textures with sassy techno wiggle.

M.A.N.D.Y. continue to consistently impress with their wonderfully spooky Sweatbox Remix, treading the line precariously between haunting and moody and curiously euphoric. A teasing, plodding bassline creates a sensual feel, bumping under gentle shimmying hats and bugged-out vocal treatments. Watch out for the high-impact drop. Think Art Department, Alex Nagshineh and so forth. A stunning rework.

Recent Great Stuff signings Nice7 get busy on the final remix, and make the choice of which to play even trickier. The most pumping of the lot, this delectable version sees the Italian duo keep the old skool jack rolling throughout, with the energy levels high from start to finish. If you like your house music lively, vibrant and mischievous, this is guaranteed to tickle your proverbial fancy.

Don’t sleep on this truly excellent package.

Check:

www.myspace.com/tahloula

www.soundcloud.com/chrislattner

www.nice7music.com

www.soundcloud.com/m-a-n-d-y